En este libro tratamos de evaluar la veracidad y de determinar el peso real de los contenidos de la doctrina órfica en Platón, a través del examen exhaustivo de los textos antiguos de que disponemos sobre este movimiento religioso, textos que son, además, presentados y traudcidos en un apéndice final. La indagación pone de manifiesto que hay numerosos puntos del orfismo que inspiraron el pensamiento de Platón, pero que los sometió a una profunda modificación para acoplarlos a sus propias ideas.

On the basis of the new edition of the Derveni papyrus, and of the numerous recent discussions, the paper sets out a detailed interpretation of cols. XIII–XVI. Two important recent suggestions are rejected in the course of this interpretation: the paper argues that the word aidoion in col. XIII.4 should be understood as ‘phallus’, and should not be taken as ‘venerable’, and, consequently, that the Orphic poem the Derveni author comments upon did not speak about Phanes. As a result, the (...) more general hermeneutical claim of Brisson, that the Derveni author manipulates the text on three levels, is also criticized – instead of this three-tier exegesis, a more literal two-tier scheme is defended. (shrink)

Tem-se analisado, recorrentemente, a influência de Homero e de Hesíodo no proêmio do poema de Parmênides. As possíveis influências da poesia órfica tem sido apenas consideradas. Todavia, diversas descobertas de textos órficos aconselham voltar a analisar os vestígios da tradição mistérica, em geral, e órfica, em particular, no poema do filósofo de Eléia, sem minimizar, com isso, as outras influências já postas em relevo. O autor assinalou, em um trabalho anterior, algumas conexões entre Parmênides e os textos órficos; neste artigo, (...) a análise se centra nos pontos de contato com ideias e imagens literárias dos Mistérios que se encontram no proêmio. Não se trata de determinar as crenças do filósofo, senão de situar, no âmbito da tradição, os conteúdos doutrinais e/ou poéticos expressados nesta parte fundamental do seu poema, para fazer ver o que têm de poderosamente originais e, em consequência, tratar de determinar o significado do proêmio no conjunto da obra. (shrink)

Die Bibliotheca Teubneriana, gegründet 1849, ist die weltweit älteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Sämtliche Ausgaben werden durch eine lateinische oder englische Praefatio ergänzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universität Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Università di Genova) Heinz-Günther Nesselrath (Georg-August-Universität (...) Göttingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universität München) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfügbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die älteren Bände werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen möchten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Sämtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfügbar. (shrink)

The paper deals with of one aspect of “The Laws”: the rules proposed on partying, drinking and the type of music and dance presided over by Dionysus. The Athenian tries to combine: a) the need for education to form law-abiding citizens capable of defending the city; b) the need to control the disturbing effects of drinking and debauchery on music and dance; and c) the desire to maintain the Athenian tradition they were proud of: the conciliation of military excellence and (...) the fun produced by drinking, music and dance. (shrink)

The paper deals with of one aspect of “The Laws”: the rules proposed on partying, drinking and the type of music and dance presided over by Dionysus. The Athenian tries to combine: a) the need for education to form law-abiding citizens capable of defending the city; b) the need to control the disturbing effects of drinking and debauchery on music and dance; and c) the desire to maintain the Athenian tradition they were proud of: the conciliation of military excellence and (...) the fun produced by drinking, music and dance. (shrink)

A Orfeu, durante toda a Antiguidade, não só foi atribuída a autoria de uma considerável quantidade de obras literárias e filosóficas, mas foi considerado como o fundador de numerosos cultos, entre os quais as chamadas τελεται , ritos de iniciação que permitiriam alcancar um destino privilegiado no mundo do Além. O objetivo deste artigo é apresentar os testemunhos mais significativos de autores gregos que afirmavam, explicita ou implicatamente, ser Orfeu um filósofo, ou dele tratavam em contextos filosóficos, bem como procurar (...) entender as razões pelas quais esses autores o fizeram. (shrink)

En este texto partiremos de la conocida tensión cinematográfica entre la imagen y la narración, refiriendo a un caso concreto de cine mexicano tipológico costumbrista. Es un género que se distingue por una trama débil constituida por secuencias con un importante peso mostrativo o “descriptivo”, más que narrativo y el espectador se entretiene en el reconocimiento de los estereotipos, obteniendo un goce mimético de reconocimiento. Para abordar tal reconocimiento mimético distinguiremos entre los imaginarios literarios y los imaginarios fílmicos. Los imaginarios (...) literarios son esquemas faltos de concreción. Por el contrario, los imaginarios fílmicos no son lo absoluto una cuestión de la imaginación más o menos vaga, sino que dada su base fotográfica presentan girones de la realidad tal cual es en su apariencia. Este imaginario fílmico ya no consta de imágenes de la mera imaginación, al gusto del que se las imagina, sino que consta de fragmentos fotográficos de la apariencia real, por lo que esas imágenes de calidad fotográfica tienden a generan de inmediato aprobación o rechazo. Puede ser que se lea algo que no gusta y entonces tiende a dejarse de lado, pero es más difícil dejar de lado algo que, aunque no guste no se leyó sino se vio. Para analizar el género de narrativa débil tipologizante recurrimos a la teoría de D. Bordwell sobre la construcción de la historia combinándola con la teoría de R. Barthes acera de los núcleos, catálisis, informantes e indicios narrativos. (shrink)

Allusions to a cosmogony contained in a Vedic hymn present striking analogies to a cosmogony attributed to the Pythagoreans by Aristotle, Simplicius and Stobaeus. The aim of the paper is to evaluate the extent to which they are similar and to which their differences respond to different cultural premises.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Becoming Human: Matter and Meaning in an Antiblack World by Zakiyyah Iman JacksonBernabé S. Mendoza (bio)Zakiyyah Iman Jackson, Becoming Human: Matter and Meaning in an Antiblack World New York: By New York University Press, 2020, 320 pp. ISBN 978-1-4798-9004-0the radical work of black feminism is to upend Western dualistic ways of thinking that structure our understanding of what it means to be human. In Becoming Human: Matter and (...) Meaning in an Antiblack World, Zakiyyah Iman Jackson troubles the dominant dualistic distinction of the human and the animal. Jackson argues that antiblackness undergirds Enlightenment discourses on the human-animal divide such that blackness cannot be extricated from the very concept of the animal because both “are not only interdependent representations but also entangled concepts” (28). Central to Jackson’s argument on the animalization of blackness is the notion of “ontologized plasticity,” which posits the being of black(ened) people as infinitely malleable and mutable matter and further points to the fluidification of form and “fleshly existence.” Far from seeing the human as a category that has “ontological integrity,” as scholars in the fields of animal studies, new materialisms, and posthumanism presuppose, Jackson instead seeks to redefine the concept of the human through the theorization of blackness (16). She points out that such theorization has been, for such scholars, a lacuna and the “space of the unthought,” which thus marks her intervention in these fields. [End Page 211]The author offers a sustained engagement with the knowledge claims of science and philosophy, reading them through and against the intellectual contributions of black feminist writers and artists. She draws from such luminaries as Toni Morrison, Nalo Hopkinson, Octavia Butler, Audre Lorde, and the artist Wangechi Mutu to show the ways in which they reject an enclosed notion of the human that is defined only by keeping the racialized other at bay and in a degraded animalized and liquified state. As such, she showcases how black feminist visual and literary culture “theorizes and philosophizes” and reveals the faulty, antiblack premises upon which science and philosophy establish their claims of knowledge on the human.Offering a materialist theory of black ontology and temporality, Jackson poses three main arguments on the racialization of the human-animal distinction. The first is the aforementioned notion of ontologized and black(ened) plasticity that speaks to the constant modulation and manipulation of black matter as it relates to gender, sexuality, and sexual reproduction. Reading US slavery as an experimental playground for testing the limits of the human, Jackson argues that “black female f lesh... functions as the limit case of ‘the human’ and is its matrix-figure” (4). She defines plasticity as a “praxis that seeks to define the essence of a black(ened) thing as infinitely mutable in antiblack, often paradoxical sexuating terms as a means of hierarchically delineating sex/gender, reproduction, and states of being more generally” (11). There is, in other words, an inversion that takes place in that it is only through opposition and the imposed instability and illegibility of blackness—of black matter and the black mater(nal) situated as “chaos by design”—that such categories as “woman,” “mother,” and “female body” can themselves take hold and become intelligible forms (11). Jackson engages with the work of Hortense Spillers and Sylvia Wynter in order to argue that “Man,” as the object of analysis within liberal humanism, “produces an untenable dichotomy—‘the human’ versus ‘the animal,’ whereby the black(ened) female is posited as the abyss dividing organic life into ‘human’ or ‘animal’ based on wholly unsound metaphysical premises” (12). This claim on the centrality of the black female in the plasticization of blackness is given support in chapter 2, which focuses on Nalo Hopkinson’s speculative novel Brown Girl in the Ring, where plasticity gives way to opacity.In this chapter, Jackson explores the ways in which the black female body, as that which is opaque and nonrepresentable within the “dominant grammar of representation,” shatters what she argues is Heidegger’s metaphysical and hierarchical ordering of human, animal, and world. In exploring “how our received conceptions of being hinges on our im/perception of black mater... (shrink)

Background In the EU, clinical assessors, rapporteurs and the Committee for Medicinal Products for Human Use are obliged to assess the ethical aspects of a clinical development program and include major ethical flaws in the marketing authorization deliberation processes. To this date, we know very little about the manner that these regulators put this obligation into action. In this paper, we intend to look into the manner and the extent that ethical issues discovered during inspection have reached the deliberation processes. (...) Methods To gather data, we used the Dutch Medicines Evaluation Board database and first searched for the inspections, and their accompanying site inspection reports and integrated inspection reports, related to central marketing authorization applications of drugs submitted to the European Medicines Agency from 2011 to 2015. We then extracted inspection findings that were purely of ethical nature, i.e., those that did not affect the benefit/risk balance of the study. Only findings graded at least major by the inspectorate were included. Lastly, to identify how many of the ethically relevant findings reach the application deliberation processes, we extracted the relevant joint response assessment reports and reviewed the sections that discussed inspection findings. Results From 2011 to 2015, there were 390 processed applications, of which 65 had inspection reports and integrated inspection reports accessible via the database of the Dutch Medicines Evaluation Board. Of the 65, we found ERFs in 37. The majority of the ERFs were graded as major and half of the time it was informed-consent related. A third of these findings were related to research ethics committee processes and requirements. Of the 37 inspections with ERFs, 30 were endorsed in the integrated inspection reports as generally GCP compliant. Day 150 joint response assessment reports and Day 180 list of outstanding issues were reviewed for all 37 inspections, and none of the ERFs were carried over in any of the assessment reports or list of outstanding issues. Conclusion None of the ethically relevant findings, all of which were graded as major or critical in integrated inspection reports, were explicitly carried over to the joint assessment reports. This calls for more transparency in EMA application deliberations on how ERFs are considered, if at all, in the decision-making processes. (shrink)

Cultural evolution studies are characterized by the notion that culture evolves accordingly to broadly Darwinian principles. Yet how far the analogy between cultural and genetic evolution should be pushed is open to debate. Here, we examine a recent disagreement that concerns the extent to which cultural transmission should be considered a preservative mechanism allowing selection among different variants, or a transformative process in which individuals recreate variants each time they are transmitted. The latter is associated with the notion of “cultural (...) attraction”. This issue has generated much misunderstanding and confusion. We first clarify the respective positions, noting that there is in fact no substantive incompatibility between cultural attraction and standard cultural evolution approaches, beyond a difference in focus. Whether cultural transmission should be considered a preservative or reconstructive process is ultimately an empirical question, and we examine how both preservative and reconstructive cultural transmission has been studied in recent experimental research in cultural evolution. Finally, we discuss how the relative importance of preservative and reconstructive processes may depend on the granularity of analysis and the domain being studied. (shrink)

La renovación metodológica que impulsa el EEES implica un nuevo enfoque didáctico, dándole mayor importancia al aprendizaje motivacional que a la enseñanza. En este contexto, las metas vitales del alumnado y su actitud ante el aprendizaje son determinantes clave en su motivación. El objetivo de este trabajo es analizar las orientaciones motivacionales y de aprendizaje de los estudiantes de la Facultad de Ciencias Sociales y Jurídicas de la Universidad de Jaén para proponer al profesorado actuaciones, procedimientos, tácticas, y recursos que (...) influyan favorablemente en la motivación del alumnado, impulsen la participación y asistencia a clase y contribuyan a un aprendizaje activo. (shrink)